Prepare for an unparalleled musical experience as “OUR HOUSE: The Music of CSNY” assembles to perform the Crosby, Stills, Nash & Young repertoire with an extraordinary ensemble of FAMILY & FRIENDS. What sets this apart is the stellar, historic lineup, featuring…

• James Raymond (son of David Crosby)
• Astrid Young (sister of Neil Young)
• Steve Postell (guitarist & musical director with David Crosby & The Immediate Family)
• Chris Pierce (handpicked by Neil Young to support his 2023 tour)
• Jeff Pevar (lead guitar David Crosby, Graham Nash, CSN, Phil Lesh)
• Steve DiStanislao (drums David Crosby, David Gilmour)
• Michelle Wills (keyboards David Crosby)
• Elijah Thomson (bass Father John Misty)

 And featuring legendary CSNY photographer Henry Diltz with CSNY recording engineer Stephen Barncard spinning ‘Tall Tales’ that can be heard nowhere else except on this tour.

Audiences can anticipate an immersive journey through classic hits such as “Déjà vu,” “Wooden Ships,” “Helpless,” and “Carry On,” delivered with the finesse that only OUR HOUSE, The Music of CSNY performed by FAMILY & FRIENDS can provide.

The incredible harmonies and distinctive arrangements of The Jayhawks set them apart from the rest of the Minneapolis music scene that emerged in the 1980s. Over the course of almost 4 decades, 11 albums, countless memorable live shows and enough personal drama to fill a couple of Behind the Music episodes, this beloved band soared to heights few ever achieve while winning the hearts and minds of numerous critics, fans and peers in the process.

After releasing 2 Indie albums in the 80s, The Jayhawks had  become a driving force and inspiration behind the growing Americana movement in the early 1990s. Combining the talents of singer-songwriters Gary Louris and Mark Olson, The Jayhawks released their major label debut, the acclaimed Hollywood Town Hall (1992) on the Def American label. This was followed by Tomorrow the Green Grass (1995), which produced the alternative radio hit single “Blue.”

When Olson left to pursue a solo career, Louris singularly took over the songwriting role in The Jayhawks creating the band’s enduring sound on some of their best selling and well-received albums including Sound of Lies (1997), Smile (2000) and Rainy Day Music (2003).

Louris continues to write and tour with the longtime core group of Marc Perlman, Karen Grotberg, and Tim O’Reagan. While the touring line-up has changed over the years and Olson briefly reappeared in 2010 to record and tour, this classic lineup maintains a commitment to excellence and forward motion in their shows and in their recordings. Paging Mr. Proust (2016), was produced in Portland with Peter Buck and Tucker Martine and found the band moving in several new exciting directions. The band’s 10^th studio album, Back Roads And Abandoned Motels, was released in the summer of 2018, featuring Jayhawks versions of songs Gary Louris had previously written with other artists plus 2 new compositions. In July  2020 The Jayhawks released their latest album, XOXO, that features songwriting and lead vocal contributions from all 4 core members.

The Jayhawks have made music in 4 different decades and are as vital now as they were in 1985. They definitely have earned their reputation as a true American treasure.

The Eagles Project returns to Memorial Hall for a special acoustic performance of favorites from the catalogues of The Eagles and their solo projects. They will be returning with the Eagles Project Strings for a special holiday flavored performance.

It all began with an idea and a love of great music shared by talented musicians. Wanting a creative project to both enjoy and perform for fans became our mission and now we want to share it with you. All of our members have had success in the music industry and performed all over the country. Yet coming together to perform the music of the Eagles, Henley, Frey and Walsh and James Gang has created an explosive dynamic project. One that has been delighting and exciting fans of this music like never before. The Eagles Project presents the music as it should be, true to the originals. Come see for yourself, your ears will thank you!

The Tillers have been thumping their own distinctive sound of string band style folk music for a decade, riding it all over the country and across the sea. Four studio albums and one live record have won them praise as modern folk storytellers of the national soundscape. They have shared the stage with a broad swath of national acts, from folk legends like Doc Watson, Ramblin’ Jack Elliott, Guy Clark, Country Joe McDonald, Jerry Douglas, Iris Dement, Pokey LaFarge, and The Carolina Chocolate Drops to rock daredevils like the Legendary Shack Shakers. The band came into being while busking for nickels and dimes in the gaslight district of Cincinnati. Now far removed from those humble beginnings, the band has won over Cincinnati’s bar and festival scene and launched international tours with tireless momentum. They resurrect songs of America’s past, craft originals all their own while touching on themes both historical and timeless. They are Cincinnati’s traveling minstrels. Expect to hear from them soon.

The Peter Rowan Bluegrass Band consists of outstanding musicians with over 100 years of combined recording and performance experience. Joining guitarist Peter Rowan are Chris Henry, mandolin and vocals, Max Wareham, banjo and vocals, Julian Pinelli, fiddle and Eric Thorin, bass. The ensemble has graced the stages of Hardly Strictly Bluegrass, Grey Fox, Merlefest, Rothbury Australia’s National Folk Festival, and numerous other festivals domestically and abroad, entertaining audiences with original and traditional songs executed in vibrant harmony.

In April 2013 Peter Rowan released The Old School, a magnificent blending of old school sounds and players (Del McCoury, Jesse McReynolds, Bobby Osborne and Buddy Picher) with some of the bright young talent such as Chris Henry, Ronnie & Robbie McCoury performing memorable new songs such as “Doc Watson Morning”, “Drop The Bone” and “Keepin’ It Between The Lines (Old School)”. The Old School followed the group’s debut album for Nashville’s Compass Records- Legacy; the recording, featuring traditional and original compositions, was produced by Compass owner/recording artist Alison Brown and includes Ricky Skaggs, Gillian Welch, David Rawlings and Del McCoury. Legacy received a Grammy nomination in 2010. Rebel Records was the home for Peter’s next bluegrass masterpiece, Carter Stanley’s Eyes, and 2022 will see Peter’s second Rebel release, featuring members of the latest incarnation of the Peter Rowan Bluegrass Band

Peter Rowan – Guitar, Vocals
GRAMMY-award winner and six-time GRAMMY nominee, Peter Rowan is a bluegrass singer-songwriter with a career spanning over five decades. From his early years playing under the tutelage of bluegrass patriarch Bill Monroe, Peter’s stint in Old & In the Way with Jerry Garcia and his subsequent breakout as both a solo performer and bandleader, Rowan has built a devoted, international fan base through his continuous stream of original recordings, collaborative projects, and constant touring.

Chris Henry- Mandolin, Vocals
Chris Henry, son of bluegrass musicians Red and Murphy Henry, grew up around the old school sound. After intense study in his formative years, the International Bluegrass Music Association, referring to his mandolin picking, has called him “the premiere Monroe stylist of his generation.” Moving to Nashville about ten years ago, Chris was fortunate to develop his singing with great performers like Shawn Camp and Verlon Thompson among many others. He received an IBMA nomination for Song of the Year in 2011 for writing “Walking West to Memphis.” Chris also enjoys working as a musical educator, teaching workshops at colleges and camps across the country as well as giving private lessons, and producing recordings from his studio in Nashville.

Max Wareham: Banjo, Vocals
Max is the son of Peter’s second cousin, John; bluegrass is one of Max’s many musical lives. Hailing from New England, he studied jazz guitar at The New School in New York before moving to Western Massachusetts and falling in love with the banjo. Years with a psych-pop band called Sun Parade and a classic rock band called Cousin Moon, Max’s own influences include English folk music, early country music and astronauts.

Julian Pinelli: Fiddle
Julian Pinelli’s masterful fiddling fits perfectly with a modern approach to bluegrass and new acoustic music. Awarded the 2016 Fresh Grass Fiddle Award and winner of the 2017 RockyGrass fiddle competition, Julian spent his childhood surrounded by many iconic acoustic musicians in Asheville NC including fiddler Bobby Hicks – whose smooth and lush sound has had a big impact on Julian’s playing. Now residing in Boston and a recent graduate of Berklee College of Music, Julian has been honored with the 2016 Fletcher Bright Award and Grey Fox Bluegrass Festival’s 2015 Bill Vernon Memorial Scholarship.

Eric Thorin: Acoustic Double Bass
A highly regarded musician/bassist living on the front range of the Colorado Rocky Mountains. Eric can be found on stage in in The Matt Flinner Trio with Ross Martin, Danny Barnes and various touring luminaries such as Darol Anger, Bonnie Paine, Tony Furtado and more. Teaching is a big part of his presence including The Crested Butte Music Festival, Spanish Peaks Celtic Festival, Grand Targhee Music Camp as well as serving as adjunct faculty in the newly formed Folk and Bluegrass program at the University of Northern Colorado.

After crisscrossing the nation for the last half-decade looking for a home, Pokey LaFarge found himself in Mid-Coast Maine.  Upon arriving, the Illinois-born singer/songwriter/actor pursued a major life change, working 12-hour days on a local farm—a turn of events that catalyzed an extraordinary burst of creativity and redefined his sense of purpose as an artist.  On his new album Rhumba Country, LaFarge reveals his newly heightened devotion to making music that channels pure joy.  “There was a time when I glorified sadness because I lost sight of who I was, but now I understand that creating and expressing joy is my gift, and gifts are meant to be shared,” he says.  Reclaiming his voice, LaFarge has recorded his boldest album yet.  Rhumba Country was initially shaped from material that emerged while LaFarge was deep in work on the farm.  “I’d be pushing a plow or scattering seeds, and the songs would just come to me,” he recalls.  “It was tremendously inspirational and made me realize that apart from singing, farming is perhaps the oldest human art form.”  But as he moved forward with his songwriting, something felt undeniably amiss.  LaFarge then spoke with fellow Midwestern transplant Elliot Bergman (Wild Belle), who suggested he return to city life in Los Angeles for a season so that the two musicians could work together—a collaboration that soon brought the rhumba to LaFarge’s country.  As he immersed himself in the album’s creation, LaFarge began dreaming up a kaleidoscopic sound informed by his love of music from far-ranging eras and corners of the globe, including mambo, tropicália, rocksteady, and mid-century American rock-and-roll.  Co-produced along with Chris Seefried and Bergman and recorded in L.A., the resulting Rhumba Country is an invitation to come together to celebrate life and love.  “The songs that naturally come to me are upbeat and make you wanna dance or at least bop your head—they’re all very colorful,” says LaFarge. “I used to think of my music in dark blue, but now I see it in technicolor.”

The Tailspins hit the ground running as a hand-selected act to support Jack White’s “Supply Chain Issues” tour in 2022. The husband & wife duo go electric for their latest single “Inmate Number 99” – recorded LIVE in studio the old-fashioned way, engineered & mixed by Josh Jové from Social Distortion, and backed by an all-star band ft. Nicholas Baker from LA LOM on drums, Lakshmi Ramirez from The Groove Empire Orchestra on bass, and Alex Hernandez on baritone sax.

The duo dazzled fans coast to coast supporting The Surfrajettes in early 2024, including Aaron Frazer – who described their hometown Los Angeles set as “incredible” on social media.

The Tailspins’ self-titled EP is in stores now from Nu-Tone, and a brand new 45 is at the press for late spring 2024 release.

Another Longworth-Anderson Series evening of great music, food, and drink!  Complimentary pre-concert reception features live local music, light bites from Ollie’s Trolley and N.Y.P.D. Pizza, and craft beer tastings from HighGrain Brewing Co.

Four-time GRAMMY winner Sarah Jarosz has announced her new album, Polaroid Lovers. The record is set for release on January 26th, 2024 via Rounder Records. To mark the occasion she has shared the album opener, “Jealous Moon,” and its companion video. WATCH HERE. The song finds Jarosz backed by a decidedly more electric band, with her Texas lilt as clear and evocative as ever. Polaroid Lovers is available for pre-order today digitally and on vinyl with gray, lavender, orange and green splatter variants. Indie retailers will also have a special blue and green splatter vinyl. For more information visit https://store.sarahjarosz.com/

More About Sarah Jarosz and Polaroid Lovers:

The seventh full-length from four-time Grammy Award-winner Sarah Jarosz, Polaroid Lovers is an album-long meditation on those strangely ephemeral moments that indelibly shape our lives. “What I love about a Polaroid is that it’s capturing something so fleeting, but at the same time it makes that moment last forever,” says the Texas-born singer/songwriter/multi-instrumentalist. “It made sense as a title for a record where all the songs are snapshots of different love stories, and there’s a feeling of time being expansive despite that impermanence.” Thanks to the rarefied alchemy that infuses all of Jarosz’s output — her finely wrought lyricism, ravishing vocal work, virtuosic yet unfettered musicality — Polaroid Lovers performs the much-needed magic of leading us toward a heightened sense of presence, all while casting a lovely spell with her timelessly powerful songs.

The follow-up to 2020’s studio album World on the Ground (winner of the Grammy Award for Best Americana Album) and 2021’s song cycle Blue Heron Suite, Polaroid Lovers embodies a bold new vitality that has much to do with a deliberate shift in Jarosz’s writing process and sonic approach. “Historically I’ve been somewhat closed off to co-writing, but in the past couple of years I’ve felt curious to get out of my comfort zone,” says the newly Nashville-based artist, who released her debut album at just 18-years-old. “For a long time it was important to me to write for myself, so that I wouldn’t get lost in those rooms full of amazing writers. But now that I’m more confident in my musical identity, I know I can collaborate but still stay true to my own voice.” In one of her first co-writing sessions for Polaroid Lovers, Jarosz joined forces with Daniel Tashian (a songwriter/musician/producer known for his multi-award-winning work on Kacey Musgraves’ Golden Hour) and immediately felt an undeniable creative connection. “Daniel and I were both so excited by the idea of creating a new sound together, and he pushed me in ways I felt completely ready for and open to,” she says. “It felt really good to allow myself that freedom, and to take that leap into something new.”

Produced by Tashian at the legendary Sound Emporium, Polaroid Lovers took shape as Jarosz recorded live with musicians like guitarist Rob McNelley (Miranda Lambert, Carrie Underwood), Tom Bukovac (Tom Petty, Vince Gill) on guitar and organ, her husband bassist Jeff Picker (Nickel Creek), and drummer Fred Eltringham (Sheryl Crow, Lucinda Williams), carving out a viscerally potent but resplendent brand of folk-rock. Along with layering in such delicately crafted details as otherworldly textures and luminous synth tones, Jarosz and Tashian forged the album’s singular sound by foregrounding her spirited performance on octave mandolin. “Out of everything I play, the octave mandolin is definitely my soulmate,” says Jarosz, who first took up mandolin at age nine, quickly gained major acclaim in the bluegrass world, and also plays guitar and banjo throughout Polaroid Lovers. “I started playing it when I was 16, and that’s when I started writing songs that truly felt like me — there’s something about the tonality that really lets my voice shine through.”

With her co-writers on Polaroid Lovers also including artists like Ruston Kelly, Natalie Hemby, and Sarah Buxton as well as heavy-hitters like Jon Randall (Miranda Lambert, Emmylou Harris) and Gordie Sampson (Willie Nelson, Trisha Yearwood), Jarosz opens the album on “Jealous Moon”: a gloriously soaring and exquisitely nuanced track that instantly sweeps the listener up in its bristling emotionality. “That song is about the parts of ourselves that we try to keep hidden, and the moments when they rise to the surface and we just have to ride the wave,” says Jarosz, who co-wrote “Jealous Moon” with Tashian on a trip to his family’s summer house in Monteagle, Tennessee. “Daniel and I call it our little Monteagle song that could — it started off with me playing ukulele and him playing nylon-string guitar on the porch, then blossomed into this very powerful song that knocked me off my feet.”

Next, on “When the Lights Go Out,” Jarosz shares the sweetly lilting reverie that gave the album its title (from the first verse: “In a dream we were Polaroid lovers/In the deep where the edges don’t lie”). “I wrote that song with Jon Randall and Gordie Sampson, who suggested we try something in a 6/8 time signature — which is such a simple idea, but took us in a direction I might never have gone otherwise,” she says. “To me the lyrics are a way of asking someone you’re intrigued by, ‘Who are you when all the shine and attention isn’t on you anymore? Who are you really?’” Another track co-written with Randall, “Runaway Train” kicks the album into high gear as Jarosz serves up a bright and soulful love song built on a wildly sing-along-ready chorus (“You’ve got a heart like a runaway train/Screaming down the mountainside/Burning like a fever that you can’t contain/Humming like the 405”). “Coming out of the pandemic and playing shows again, I realized that a lot of the more uptempo songs in my set were covers,” she says. “I wanted to write a love song that would give people that joyful feeling, and Jon and I had so much fun playing with all those images of California and Colorado and Texas Hill Country, which is where I grew up.”

One of the most poignant moments on Polaroid Lovers, “Columbus & 89th” drifts into a dreamlike beauty as Jarosz reflects on the ineffable heartache of leaving her longtime home of New York City back in 2020. “New York signified this childhood dream that I’d had for so long, so moving to Nashville was like turning the page from youth to adulthood,” she says. “‘Columbus & 89th’ ended up just pouring out of me once Daniel and I started working on it — there was so much nostalgia and melancholy that I needed to process, and now I still tear up whenever I hear it. As a songwriter my main goal is to tell the truth about my experience, and I think the fact that that song makes me so emotional means that I was tapping into real feeling.” Written on the same trip that yielded “Columbus & 89th” (a journey to Alabama’s Orange Beach with Tashian’s family), “Days Can Turn Around” unfolds as a gently swaying folk song threaded with warmly delivered instruction for living well no matter what the circumstances (e.g., “Never turn down cold champagne/Don’t change your plans for a little rain”). “Both of those songs have similar themes of thinking back and looking forward, but trying your best to be in the moment,” says Jarosz. “With ‘Days Can Turn Around,’ I wanted to talk about all those little gems of wisdom you hear from you parents that end up taking on a whole new meaning when you finally become an adult.”

As Jarosz reveals, her very first co-writing session with Tashian helped draw out the deep-rooted confidence that informed all of the album’s creation. “That first day Daniel and I worked together we wrote a song called ‘Take the High Road,’ which is about taking the time to really know yourself and get comfortable in your own skin, even if it might take a little longer to get to where you want to be,” she says. “There was something so beautiful about that being the first song we wrote for this album — it gave me the push I needed to not be afraid, to move beyond the boundaries and explore new sounds.” A widely beloved musician whose past efforts include teaming up with fellow singer/songwriters Sara Watkins and Aoife O’Donovan to form the Grammy Award-winning trio I’m With Her — as well as appearing on albums by iconic artists like David Crosby and Amy Ray of Indigo Girls — Jarosz derived a particularly profound sense of purpose from the highly collaborative process behind Polaroid Lovers. “Maybe more than any record I’ve ever made, I felt so present and hyper-emotional with this album because I believed in it so much,” she says. “It was so joyful to work with all these writers and musicians, and I think that joy really comes through.”

Looking back on the making of Polaroid Lovers, Jarosz notes that shaking up her process ultimately left her eager to further expand her creative horizons. “It was a big step for me to reach out to Daniel, but in the end it showed me how important it is to keep taking thoughtful chances,” she says. “This whole album reminded me that I never want to play it safe — if anything, I want there to always be that element of being a little scared, because that means I’m taking a risk. In a way that’s what’s so wonderful about art: if you’re lucky, you never reach the finish line. You just keep searching and chiseling away at the stone, and putting everything you can into making something that tells the truth but hopefully leaves space for others to find meaning too.”

• VIP Package Includes:
  • Ticket
  • Pre-show soundcheck performance
  • Q&A with Sarah
  • Group photo with Sarah (Sarah stays on stage)
  • Exclusive poster signed by the artist
  • Early venue entry (this is TBD)

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